Influences
Click on the thumbnails or links to visit the websites of these outstanding musicians and teachers.
Buddy Thomas My father, musician, industrial line mechanic and trouble shooter; taught me that in learning and doing things, nothing is impossible . |
Glenn Thomas (on left) Precocious and prodigious, my brother and most tenacious friend, my first student who became my teacher also . |
Marshall Taylor The quintessential performer, with exhaustive knowledge and musicianship . |
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Will Parsons Percussionist and Musical Inventor, an American heartland pioneer . |
Pat Martino As close as family and more than the worlds greatest jazz guitarist, a profound musical thinker and composer |
Karlheinz Stockhausen A major historical force in European music, I was among several fortunate American students whose friendship he enjoyed in the mid sixties |
Bill Evans Whose music and methods completely redirected my life. |
Miles Davis Whose music and methods completely redirected my life. |
Ludmila Ulehla (left) Composition teachers at the Manhattan School of Music, they represent the best of the original ideals of The Music Conservatory . |
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Vittorio Giannini Composition teachers at the Manhattan School of Music, they represent the best of the original ideals of The Music Conservatory . |
Raoul Pleskow Hidden treasure Mozart to Wolpes Beethoven . |
John Cage Once a year, endless cups of Chinese tea and long talks from 1965 until his death in 1992 |
Hellmut Gottschild His importance as a revolutionary thinker will not remain hidden forever .More than a Modern Dance Master, a renaissance thinker, the source of physicality in my music . |
Ron Dewar Anyone lucky enough to have heard him play or (better yet) to have played with him, knows that words are hopelessly inadequate to describe his musical gifts . |
Steve Heimel Lifelong discussion partner; art and culture, broadly speaking . |
Hobson Pittman (American painter and instructor) A guided tour through the minds of the great painters ... |
Michael Steinberg Creating a taste for Mahler and introducing us in 1959 to the music of Elliot Carter, Milton Babbit, and other forbidden fruits . |
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Maryanne Amacher Took Stockhausen seriously (as I did) in 1964 and applied his innovations to her own innovative soundscapes . |
Jon English Composer, trombonist, bassist, and lifelong best friend . |
Stefan Wolpe A Beethoven for the 20th Century, living in America . |
Sergei Rachmininov Haunting beauty made in secret places . |
![]() Herbie Hancock Unofficially my greatest Jazz Professor; he is The Boss. |
Sal Martirano The generous, gentle, wildman of American music . |
![]() Dennis Sandole Thanks to Pat Martino's recommendation, Dennis' teaching brought conflict-resolution to my Jazz /Classical quandry |
![]() Jon Toth I wrote a TRIO ("Music for Violin, Cello, and Piano" for violinist Jon Toth and his cellist wife Liz and pianist Diedre Irons in the mid 1970s. |
















